1. Jacob Jordaens, The Holy Family With Shepherds (accession Number: 67.187.76) 2. Anthony Van Dyck, Virgin And Child With Saint Catherine Of Alexandria (accession Number: 60.71.5) - Using Your Own Observations Of These Works, Compare And Contrast The Sty

Client s NameProfessor s NameDateCourseComparing ArtArt is a commodity and Flemish trick in the 17th century is no different . This will seek to compare and contrast the artwork of Jordaens and Van Dyck through the aspects of non only their use of color , composition and subject affaire but also how the global audience or the art dealer /collector would respond to their paintings and why they would have taste sensation for one everyplace the other .

Thus , in to set forth a full scope of Jordaens and Van Dyck a political scheme of the era must be paid forethought to , as well as the religious arenas between the north and the south of the NetherlandsDuring the 17th century , an artist was able to take a crap a niche for themselves based on their subject egress for the country was split into the North being Protestant and the South being Catholic (due to certain wars and ruling monarchs having sway over the religious practices of the countrymen and therefore their iconoclastic preferences . Therefore since Van Dyck was a painter for the Counter Reformation his work was best and wide received in the South since his paintings offered more(prenominal) for the Catholic partizan . Converse to this , Jordaens was well received in the North were his more Protestant subject matter would hold more relevancy (as is seen with the soft tones of the familial scene of Mary Joseph and Christ border by Shepherds in The Holy Family with Shepherds . It...If you want to get a full essay, order it on our website: Orderessay

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