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Friday, April 5, 2013

A film review/analyis of the 1999 movie, "The matrix"

Theres no sophomore jinx for the Wachowski Brothers. Andy and Larry, a pair of patently talented film makers, have returned to theaters with The Matrix, a science fictionalisation thriller that is every bit the match of their debut effort, Bound, for tension, excitement, and intelligence. In an time when movie scripts (especially those pigeonholed into the science fiction genre) are becoming more and more more stupid and special effects reliant, the Wachowskis prove that call and substance do not have to be mutually exclusive.

I loved The Matrix, and only a few minor contrivances associated with the finish caused the film to miss a four-star rating. The movie is kinetic, atmospheric, visually stunning, and mind-bending. It toys with the boundaries amid reality and fantasy in unique and raise ways. In its approach and content, it reminded me of last years vastly underrated Dark City. Theres also a synergy with two movies due to be released within the neighboring month: David Cronenbergs eXistenZ and Alejandro Amenabars Open Your Eyes. The Matrix is undeniably science fiction, but, unlike near pictures claiming that association, it never falls into the boring, expected patterns of space battles and optical maser gun shoot-outs. Instead, it ventures into territory that, man not virgin, is sufficiently interesting to provide an involving, invigorating backdrop.

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Thomas Anderson (Keanu Reeves) is leading a double life. To most people, hes a hard-working information processing system programmer who holds down a nine-to-five gambol for a major software corporation. But, in the privacy of his home, hes a hacker named Neo who is guilty of virtually every computer crime [theres] a law for. Neo is dissatisfied with his existence, and, while hes groping for a meaning to it, he is contacted by a mysterious computer presence known as Morpheus. energise up Neo, a printout on his monitor screen reads.

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