GWENDOLEN AND MARRIAGE In Victorian times the system of marriage was that an engagement should acknowledge upon a young miss as a surprise, perfumed or unpleasant, as the face may be. It [was] hardly a motion that she could be allowed to set up for herself. (Lady Bracknell, Act 1, pg 308) It easy to smell on then, that marrying for love was unhearable of, and instead the whole matter was predominantly a commerce arrangement. Girls were expected to marry well, heart and soul to a wealthy and socially respected humanness. Lady Bracknell in the beginning refuses her raise to Jack because he has no connections and lives on the unfashionable side of Belgrave Square. Gwendolen does non conform to the expectations placed upon her by society of the time. She is very forward, unmannerly and unreserved. This is curiously evident in the proposal scene where she says things much(prenominal) as I think it save fair to tell you quite an candidly before-hand that I am fully determined to stimulate you. (Act 1, pg 307) There is no love heterogeneous in marriage, for Gwendolen in particular proposition she has a preference for a husband with the trope of Ernest. Gwendolen believes that the succeeder of a couples marriage depends solo on the name of the husband. In fact she pit[ies] any adult female who is married to a man called John.
She would in all likeliness never be allowed to know the entrancing pleasure of a single moments solitude. (Act 1, pg 307) This shows how she trivialises what we would consider chief(prenominal) issues. Gwendolen is superficial and idealistic. She falls in love with name Ernest, not with an actual person or personality. She is also extremely shallow and vacuous, as is evident from the contact out ...and my ideal has everlastingly been to marry someone of the name of Ernest (Act... If you motivation to get a full essay, order it on our website:
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