Characterization of Sister Carrie

Appropriately, Carrie's first lover is a drummer or traveling salesman who goes on the road to market his company's w ares. The good-humored Charlie Drouet produces nothing tangible to sell, but the efforts of thousands like him kept goods touching to their ultimate destination, the consumers. Potential buyers like Carrie with easily manipulable desires are also essential: with protrude desire, the consumer economy stalls.

Materialism is basically the focal point of Carrie's relationship with Drouet and go forth prove to be quasi(prenominal) in this regard to her relationship with George Hurstwood, who she meets through Drouet. Like the quenchless robber barons of the era of great industry, so Carrie's desires are unquenchable and will cause her unhappiness. Carrie's wants are an infinite progression of desires and she will exchange Drouet for Hurstwood. Carrie meets Hurstwood when Drouet invites him over to play cards. He eventually woos a kiss from her and falls madly in love. However, Drouet's support for Carrie helps her release extremely successful as a performance artist. last both Drouet and Hurstwood's wife become aware of the relationship amidst Carrie and George. Drouet leaves Carrie and George has a foolish fight with his wife, unaware tha

Hurstwood takes a menial employment and accidentally keeps $10,000 out of the safe after locking it. He goes to Carrie and tells her Drouet has been in an accident and they must leave. After taking Carrie to Montreal, they eventually arrive in recent York where Hurstwood sends a majority of the stolen funds back to his employer and uses the oddment to start a business plan. The business fails when the owner of the space decides to sell it, and Hurstwood descends into a life of idle slovenly habits, from looseness and wearing the same clothes to never leaving the apartment. This makes Carrie pull away respect for him because she realizes he will never be the serve well to her desires, either materially or as a person.

Carrie succumbs to be given and becomes quite successful as a performer, but she keeps this from Hurstwood in order to buy clothes and others things she desires. He takes a job as a scab and meets with violence, another typical set out for many men looking for work during the labor disputes of archaean industrialism.

Warren, R. P. Sister Carrie. In Sister Carrie. Edited by Donald Pizer, (2nd edit.). New York: W. W. Norton & Co., 1991: 534-542.

In conclusion, we can see that both Drouet and Hurstwood are unwearying and love Carrie. However, the similarities pretty much end there. Hurstwood is older; Drouet is younger. Hurstwood sacrifices his economic and family position for Carrie, while Drouet merely showers her with cash. Hurstwood accepts his condition and fate in life, while Drouet tries to escape the realities of his external environment by daily himself into believing material pleasures bring him comfort. Finally, Hurstwood is not able to peel reality even if he is willing to be serious about it. Because of this, his love for Carrie is more destructive on him than either Drouet's love for her is on him or Carrie's love for her insatiable desires is on her.

t she has control of all their finances. She files for divorce and has him locked
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